13. five seconds caressing her arm
my long, slender fingers
musician's hands
trace the line along the smoother side of your arm
memories of your father, you call them
threatening, looming in doorways
lurking behind closed eyes
in your sleep, you said
my witness at your mutilation
the surgeon's grip
is a writer's grip
was your excuse
proved unable to prevent exaggeration
a deeper truth
a container for thought
celestially accurate, you said
those devouring eyes i have
what you call them
inscrutable, misleading
and other words
slipped upon your privacy
a knife-fighter's grip is a fencing grip
four fingers curl round
thumb pointed along the blade
those cautious hands i have
musician's hands
nervous hands
wondering hands
you call them
lunged to your arm, grasping
never felt me so assertive before
what you said
never felt me so frightened before
what i thought
radial pulsed moist through my fingers
musician's hands
assertive hands
soft, burning hands
you recall later
in hesitant voice, i pleaded rough, uneven
discordant, high-pitched
an auctioneer's voice
stuttering, accelerating
was your accusation
rushed directly to cold hygienic passages
it must be Freudian
you said
reeking antiseptic
mercurochrome and iodine.
again they trace the line, the soft side of your arm
follow the new lifeline
askew and curving
then blurred, difficult to see
your narrative, memories of your father
a flawless line. they lead us
straight in non-Euclidean space
like a geodesic, a great circle
a flight from Tokyo to London
you say
from Ueno Park to Hyde Park, follow the story
from elbow to wrist, raised
unnaturally smooth
deviations the result of magnetic fields
and adrenaline byproducts
my finger pauses, pondering the end of the line
the end at your wrist, the narrative from safety
to the beginning where knife parted skin
curved in flat space, leading us
to where?